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61
Arnold Zadikow 1884-1943 / Death releases airships
« Last post by Rabenauge on March 23, 2020, 03:21:20 AM »

Arnold (Aharon) Zadikow.  1915. 

"Der Tod läßt Luftschiffe fliegen" (Death releases airships).  Single-sided hollow-cast iron, lightly blackened, delicately oxidized patina, reverse roughly filled in, 73.87 mm, 93.03 g.  Fast gussfrisch (near as-cast).  Exceptionally rare.

Death as animate, desiccated cadaver wearing only shorts, seated at left on mountainous landscape, hands manipulating control lines to two dirigibles and an observation balloon at right; year date ・ 1915 ・ in exergue; artist's monogram encircled, interlaced AZ lower left; raised rim.

Cf: Bernhart, Max.  1917.  Die Münchener Medaillenkunst der Gegenwart, pl. 64, no. 418.

Cf: Frankenhuis, M.  1919(?).  Catalogue of Medals - Medalets and Plaques Relative to the World War 1914 - 1919, p. 100: 777.

Cf: Jones, M. 1979. The Dance of Death: Medallic Art of the First World War, p. 21: no. 32 (iron example).

Cf: Kaiser, Hans.  1998.  Medaillen, Plaketten, Abzeichen der deutschen Luftfahrt.  Strothotte, p. 116: no. 418 (iron example, medallist only identified as AZ).

Cf: Klose, Dietrich O. A.  2016.  Europas Verderben 1914 1918: Deutsche und österreichische Medaillen auf den Ersten Weltkrieg,  p. 272: 22.18 (bronze example).


Zadikow designed seven single-sided (uniface) medals cast in iron and/or bronze in his "Totentanz" series.
62
Maximilan Dasio / Preliminary cast for Ludwig Thoma medal
« Last post by Rabenauge on March 21, 2020, 03:43:25 AM »

Maximilian Dasio.  (1908). 

"Preliminary cast for reverse of medal honoring Ludwig Thoma (see below)".  Single-sided cast bronze, reddish patina, 71.8 mm, 71.16 g.  Vorzüglich (extremely fine).

Naked youth to right with right hand wielding six-thonged scourge, overpowers and plants left foot on the back of chimaera comprising lion's body with human breast and head bearing long hair-braid, now seized by youth; artist's signature MAX DAƧIO・ in exergue; pearled edge encircling rim.

Cf: Weber, Ingrid S.  1985.  Maximilian Dasio 1864 - 1954: Münchner Maler Medailleur und Ministerialrat.  Staatliche Münzsammlung München, p. 99: no. 137.

Obverse of the medal, honoring Bavarian writer Ludwig Thoma (1867-1921), was never cast, thus the finished medal never issued.  This design is one of four allegorical images cast by Dasio for reverse sides of medals not completed (Weber, pp. 98-99).  The connection of the image to Ludwig Thoma's life or writings is unknown.
63
Maximilan Dasio / Organist and devil
« Last post by Rabenauge on March 21, 2020, 03:39:59 AM »

Maximilian Dasio.  (1905/06). 

"Organist and devil."  Struck silver, 50.3 mm, 41.26 g.  Vorzüglich (extremely fine).

Obverse: in profile, woman in full-length gown seated on bench at left plays organ, hand-bellows of which are pumped by horned, bearded, goat-legged, long-tailed devil at right, who stares across in lustful ecstasy at his partner; artist's monogram D— lower left in exergue; stamp HITL at lower right; raised rim.  

Reverse: rising from interlaced roots on ground-line, ornamental tree spreads curled, leafed branches across field; two singing birds on roots, left and right respectively, facing inward; another, wings spread, sings in topmost branches; blank tablet (for engraving) hangs from bough mid-center; raised rim.

Cf: Bernhart, Max.  1917.  Die Münchener Medaillenkunst der Gegenwart, pl. 5, no. 42, 42a.

Cf: Weber, Ingrid S.  1985.  Maximilian Dasio 1864 - 1954: Münchner Maler Medailleur und Ministerialrat.  Staatliche Münzsammlung München, pp. 108, 109: no. 163 (also cover illustration obverse); nickel silver example (Neusilber).

Cf: Heidemann, Martin.  1998.  Medaillenkunst in Deutschland von 1895 bis 1914. Die Kunstmedaille in Deutschland, Band 8, p. 355, 484 (ill): no. 1234; silver example listed.


Inscription HITL on obverse refers to Georg Hitl (1863 - 1923), owner of the Carl Poellath Mint in Schrobenhausen, Bavaria.  This mint produced  numerous medals, both cast and struck, for a number of German, and especially Bavarian, medallists.
64
Arthur Loewental / General von Hindenburg 1914
« Last post by Rabenauge on March 19, 2020, 03:09:22 AM »

Artur Immanuel Löwental (Loewental).  1914. 

GENERALOBERST ——— VON・HINDENBURG (Colonel General von Hindenburg).  Cast yellow bronze, light-brown patina with field outside of image burnished, 104.1 mm, 372.18 g.  Edge-punch 2 0 0 (example number of an unnumbered edition at 2 o'clock).  Vorzüglich (extremely fine).

Obverse: Three-quarters head-and-shoulders portrait bust to left in full military uniform, epaulettes, be-medaled, Order of the Black Eagle at collar; title legend on hammered band encircling upper edge divided by image. 

Reverse: Armored medieval knight striding to right, un-helmeted head turned to left, both hands wielding broadsword over left shoulder, poised to strike; background marsh grasses at left, burning village at right; legend DER・RUSSEN・BEZWINGER ——— OSTPREUSSENS・BEFREIER (conqueror of the Russians; East Prussia's liberator) on hammered band encircling edge, divided by image; two-line inscription TANNEN / BERG center left; two-line inscription ORTELS / BURG center right; year date 1914 lower center; artist's signature ALÖWENTAL lower right inside border band; maker's signature GRÜNTHALS lower left on border band.

Cf: Schulman.  1916.  La Guerre Européenne, Catalogue LXV, p. 65: no. 668.  Bronze and iron examples.

Cf: Frankenhuis, M.  1919(?).  Catalogue of Medals - Medalets and Plaques Relative to the World War 1914 - 1919, p. 78: no 578.

Cf: Turner, John T.  2014.  Artur Immanuel Loewental 1879 - 1964: a brief introduction to his life and work, together with a selected list of his sculpted works, p. 60: LOE46 (also listing some other variants).

Cf: Klose, Dietrich O. A.  2016.  Europas Verderben 1914 1918: Deutsche und österreichische Medaillen auf den Ersten Weltkrieg, p. 128: 10.3 (iron example).

Cf: Phagan, P., and P. van Alfen.  2017. The Art of Devastation: Medals and Posters of the Great War, p. 198: cat. no. 5 (bronze example w/o signature or foundry stamp, hammered band).  Online reference and images: http://numismatics.org/collection/1984.92.1.


This is the first of two medals by Löwental commemorating General Paul von Hindenburg's smashing of the Russian invasion of East Prussia in August 1914 at the Battle(s) of Tannenberg (of which an early engagement was at the village of Ortelsburg).  On the present medal, his rank is recorded as Generaloberst, as it was at the time of the battle, but the second medal, produced the following year, commemorates Hindenburg's subsequent promotion to Generalfeldmarschall, and the reverse depicts "How the Hero Siegfried bound the [Russian] Bear."  See my previous post.

Both were very popular medals: small-format copies were struck in silver and bronze, and the large versions cast in iron and bronze.  Of large bronze examples of the 1914 medal, there appear to be at least three minor variants.  Images on obverse and reverse are the same, but there are minor differences in the artist's incised signature and maker's marks, and there are two finishes (smooth and hammered) on the legend bands encircling the edges. 

Several diameters are recorded, which may indicate differences in edge finishing or approximate measuring.  Published measurements of 110 mm, 114 mm, and 115 mm (Turner, p. 60; ANS collection - online listing above) indicate unusually large examples, but without such examples in hand, it is impossible to confirm larger image sizes as well.  The single surviving plaster cast model has a diameter of 104 mm (Turner, p. 60: LOE047).

The manufacturer (maker) of this medal was Robert Ball Nachfolger Münzhandlung (Robert Ball Successors Coin Dealers), Berlin. Hugo Grünthal (1869 - 1943), proprietor of the firm, commissioned the medal from Löwental (Turner, p. 60).  The medals are thus marked with either Balls Nachfolger or Grünthal as well as various spellings of the artist's name. 

The list below is summarized from examination of images and descriptions in auction house archives, online collection records, and a few reference books.  Only the medal described in detail above has actually been handled, so the list and descriptions should not be taken as definitive.  Variants 1, 2 , and 4 (iron) likely are the earlier productions, as the chasing of finished casts is more detailed (e.g. hammered legend bands), the medals bear the sponsor's name (Grünthal) rather than that of the company, and the bronze examples are individually numbered. 

Bronze variant 1: cast, 103 mm; 105 mm.  Obverse: unsigned, unmarked.  Reverse: ALÖWENTAL (A and L ligatured) / GRÜNTHAL.  Hammered (pebbled) legend bands.  Edge-punch: example number (edition limit unknown).

Bronze variant 2: cast, 104 mm; 115 mm.  Obverse: unsigned, unmarked.  Reverse: unsigned, unmarked.  Hammered legend bands.  Edge-punch: A.LOEWENTHAL — GRÜNTHAL — example number (edition limit unknown).
Edge-punch also listed as: A. LÖWENTHAL — GRÜNTHAL.

Bronze variant 3: cast or struck(?), 103 mm; 105 mm.  Obverse: unsigned, unmarked.  Reverse: BALLS NACHFOLGER / ALÖWENTAL (A and L ligatured) or ALŒWENTAL (A and L, O and E ligatured).  Smooth legend bands.  This variant has been described as struck (ANS collection http://numismatics.org/collection/2000.1.484).

Iron issue: cast, 103 mm; 105 mm; 115 mm.  Obverse: ALÖWENTAL (A and L ligatured).  Reverse: GRÜNTHAL.  Smooth legend bands (or with faint traces of pebbling from the mold).
65
Refugees / ANDENKEN A.D. WELTKRIEG - East Prussian Flight
« Last post by Henry Scott Goodman on March 14, 2020, 01:43:20 PM »


Memories of the world war

EAST PRUSSIAN FLIGHT

1915, Cast Bronze two-sided oval medal, 41.5mm x 48.2mm, 22.5g, Gussfrisch, Edge-punched: C.Poellath, Schrobenh.  Ernsting WVZ 117, Henry Scott Goodman Collection

Broad oval with convex obverse surface and concave reverse surface; the image and script are raised sculpturally.

OBVERSE: A refugee family is gathered together with all of their belongings. An old man sits by the right edge, in profile and turned to the left. With his left hand he holds a full bag over his left shoulder and his right hand clasps his hat. His walking staff stands behind him. A little girl stands to his left and clasps her arms around the crook of his arm. At the left foreground a naked baby rests in its cradle next to a pitcher. A young woman stands to the far left and holds on to a little girl who is standing on boxes of belongings. To the right of the little girl sit three young boys. Higher on the belongings sits the mother holding a swaddled baby. A birdcage hangs from the branch of a dead tree that sticks forward from the tree. A small suitcase sits directly below the birdcage. On the lower exergue formed by the convex land, the artists initials, L G, can be found.

REVERSE:  A raised edge opens to a concave surface containing a centrally located tablet.  Within the raised edges of the tablet “ERİNNERUNG│AN DEN│WELTKRIEG”, a raised eight-rayed star at the top left.  Adorning the top of the tablet is an evergreen wreathed ribbon with a left facing pickelhaube.

Rarity: R-7

Known Examples: 5

Number in Museum Collections: 3

Munich, Staatliche Münzsammlung (National Coin Collection)
Ramat Aviv, Kadman Numismatic Museum
Stuttgart, Württembergisches Landesmuseum (Württemberg Regional Museum)

Private Collections: 2




WVZ117a

Cast silver, oval convex uniface with incuse-reverse,  41.8mm X 49.3mm, 18.6g. UNIQUE.  Henry Scott Goodman Collection

OBVERSE:  Same as WVZ 117.

REVERSE:  Unfinished, incuse casting surface.

Reference and literature:

J(aumann, Anton): o.T. (Fugitive medals by Ludwig Gies); in: German Art and Decoration 37, 10/1915-3/1916, ill. p. 150 (VS): Oestpreuss. War refugees.  War commemorative coins and pendants in silver (no silver copy proven at that time).

On the content and dating, see WVZ 112, which, together with WVZ 115 to WVZ 120, forms part of a series of six works entitled "Remembrance of the World War", which deals with the flight of the East Prussian population from advancing Russian troops.
66
Maximilan Dasio / Peace with Russia
« Last post by Rabenauge on March 03, 2020, 03:07:09 AM »

Maximilian Dasio.  (1918). 

FRIEDE MIT -- RVSSLAND (Peace with Russia).  Cast iron, 37.46 mm, 14.28 g.  Sehr schön (fine): minor wear around edge, minor discoloration reverse.

Obverse: Russian bear full length upright three quarters to right, wearing Jacobin cap (of revolution) and holding palm frond in both paws; legend surrounding edge left and right, respectively, separated by image; pearled border edge; artist's initial monogram D—. lower center right. 

Reverse: center inscription PAX classic Roman capitals; dove of peace perched on letter A facing left, holding olive branch extending left and right; single line encircling border.

Cf: Weber, Ingrid S.  1985.  Maximilian Dasio 1864 - 1954: Münchner Maler Medailleur und Ministerialrat.  Staatliche Münzsammlung München, p. 82: no. 100.

Cf: Klose, Dietrich O. A.  2016.  Europas Verderben 1914 1918: Deutsche und österreichische Medaillen auf den Ersten Weltkrieg, p. 288: 23.7.

67
Maximilan Dasio / Kaiser Wilhelm led by Nike
« Last post by Rabenauge on March 03, 2020, 03:02:59 AM »

Maximilian Dasio.  1915. 

WILHELM・II・DEVTSCHER — KAISER・K・V・PREVSSEN✠ (Wilhelm II German Emperor, King of Prussia).  Struck bronze (or brass), silvered, 33 mm, 12.7 g.  Edge-punch C. POELLATH   SCHROBENH..  Vorzüglich (extremely fine), silver finish rubbed, slightly patinated.

Obverse: portrait bust of emperor to left in Garde du Corps uniform, fur-collared coat, and parade helmet surmounted by eagle; title legend in pearled border divided by eagle ornament. 

Reverse: emperor in Garde du Corps uniform on horseback to left, led by winged Nike holding victory wreath in right hand; legend GOTT MI - T VNS (God is with us) top edge divided by image; year dates 1914 - 15 in exergue.
 
Cf: Bernhart, Max.  1915.  Kriegsmedaillen bayerischer Künstler, pl. I: 3, 4.

Cf:Bernhart, Max.  1917.  Die Münchener Medaillenkunst der Gegenwart, pl. 4, no. 33 (reverse only).

Cf: Frankenhuis, M.  1919(?).  Catalogue of Medals - Medalets and Plaques Relative to the World War 1914 - 1919, p. 89: 673.

Cf: Weber, Ingrid S.  1985.  Maximilian Dasio 1864 - 1954: Münchner Maler Medailleur und Ministerialrat.  Staatliche Münzsammlung München, p. 81: no. 96 (example with ring for ribbon).

68
Maximilan Dasio / Kaiser's Jubilee 1913
« Last post by Rabenauge on March 03, 2020, 02:55:10 AM »

Maximilan Dasio.  1913. 

seine・maiestät・wilhelm・der・zweite・deutscher・kaiser・könig・von・preussen・anno・salut・mcmxiii (His Majesty Wilhelm the Second, German Emperor, King of Prussia in the year 1913).  Cast iron, blackened, 98 mm, 209.6 g.  Vorzüglich (extremely fine), small abrasion of blackening obverse center.

Obverse: emperor standing frontal, in coronation cloak and crown, head to left proper, in right hand hilt of imperial sword, point on ground, in left hand imperial orb; title legend in blackletter minuscule typeface within ornamental and lined border; pearled and scalloped bands encircling figure. 

Reverse: four pairs of men in armor or robes and carrying swords bear the enthroned, crowned and robed emperor, holding orb and scepter, on their shoulders to right; legend in blackletter minuscule typeface: mit・gott・in・treuer・einigkeit・ -- fü - r・deutsche・macht・u・herrlichkei - t・ (with god in loyal unity for German might and splendor); inscription blackletter minuscule typeface upper field: macte -- imperat・ (hail to thee emper[or]); figures encircled in pearled and lined border; artist's signature MAX・DAƧIO・PICT・OPUS in exergue; pearled edge.

Cf: Bernhart, Max.  1915.  Kriegsmedaillen bayerischer Künstler, pl. I: 5, 6.

Cf: Frankenhuis, M.  1919(?),  Catalogue of Medals - Medalets and Plaques Relative to the World War 1914 - 1919, p. 125: no. 973.
 
Cf: Weber, Ingrid S.  1985.  Maximilian Dasio 1864 - 1954: Münchner Maler Medailleur und Ministerialrat.  Staatliche Münzsammlung München, p. 77: no. 90 (bronze example).

Cf: Heidemann, Martin.  1998.  Medaillenkunst in Deutschland von 1895 bis 1914. Die Kunstmedaille in Deutschland, Band 8, p. 251: no. 737 (bronze).

Cf: Steguweit, Wolfgang.  2000.  Die Medaille und Gedenkmünze des 20. Jahrhunderts in Deutschland, p. 31: no. 46; plate 13 (bronze example).

Cf: Bekker, Gerd.  2001.  Europäische Plaketten und Medaillen des 19. und 20. Jahrhunderts: Bestandskatalog der Sammlung des Grassimuseums Leipzig / Museum für Kunsthandwerk, p. 151: no. 799 (iron example).


One of two medal designs for the Emperor's jubilee celebrations of 1913 officially sent by Dasio to the imperial offices to secure authorization to make copies, which was granted.  The four pairs of bearers on the reverse represent the four estates of the realm: nobility, university, city, and peasant (Weber, p. 77).
69
Soldier Departures / FAREWELL
« Last post by Henry Scott Goodman on March 01, 2020, 03:23:10 PM »
   

ABSCHIED
(Farewell)

1915, Cast bronze uniface, 33.9mm x 30.1mm, 7.6g, UNC, Ernsting WVZ 95.  Henry Scott Goodman Collection

Heart-shaped flat surface with highly raised and graded edges. Framing lines are parallel to the edge. The image and the script are raised sculpturally above the surface.

On a convex landform are two benches with a young woman on the left bench, her hair down, and on the right bench, a soldier in field uniform and wearing a picklehaube helmet, his rifle leaning on the bench. They have their hands clasped together from outstretched arms. Behind them is a wide spread crucifix topped with a tablet with incised INRI acronym for Latin phrase; IESVS·NAZARENVS·REX·IVDÆORVM (Jesus of Nazareth, King of the Jews). On the cross is Christ with a halo and emanating light. On the left and right surface are raised dates 1914-1915.

Rarity: R-8

Known Examples: 3

Number in Museum Collections: 2 located in:

London, British Museum, Department of Coins and Medals.  BM 1919,1010.82; 8.33g; 32 x 29mm
Vienna, Kunsthistoriches Museum (Art History Museum).


Number known in Private Collections: 1
70
Soldier Departures / In the Lord Is Salvation
« Last post by Henry Scott Goodman on March 01, 2020, 02:46:39 PM »


IM HERRN IST HEIL

1915, Cast bronze, 43.2mm x 39.8mm, 27.0g, with ring for suspension, Ernsting WVZ 93, Henry Scott Goodman Collection

OBVERSE: At the bottom a convex exergue doubles as a mound of meadow on which a bench is placed next to a small tree. A young woman sits on the left and a soldier, in field uniform, sits on the right holding his helmet in his left hand; they are turned to each other. The soldier’s rifle is propped on the bench to his left. Above, and behind, is a wide spread crucifix topped with a tablet inscribed with a convex INRI acronym for Latin phrase; IESVS·NAZARENVS·REX·IVDÆORVM (Jesus of Nazareth, King of the Jews). On the cross is a tormented Christ with halo and with artistic emphasis placed on the wounded hands and loincloth. On the convex exergue are the artist’s initials, L.G..

REVERSE: A heart with attached cross at top is located on the lower center edge. To the left and right are two hovering angels facing each other and in profile. In the center are five lines of script in gothic font; IM HERRN IFT HEIL PS.3.9 (Salvation is in God, Psalms 3.9.)

Rarity: R-7

Known Examples: 10

Number in Museum Collections: 8
 
Brüssel, Koninklijke Bibliotheek, Albert I Penningkabinett (Royal Library)
Dresden, Staatliche Kunstsammlungen (State Art Collection).
Hamburg, Hamburger Kunsthalle (Hamburg Arts Center).
London, British Museum, Department of Coins and Medals.
Munich, Staatliche Münzsammlung (National Coin Collection).’
Paris, Musée d’Historie Contemporaine (Museum of Contemporary History).
Stuttgart, Württembergisches Landesmuseum (Württemberg Regional Museum).
Vienna, Kunsthistoriches Museum (Art History Museum).


Number in Private Collections: 2
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